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Editorial, Christiane NAFFAH
Point de départ. Editorial
Par Christiane Naffah
A la recherche de Mantegna peintre : les enjeux de l’enquête. Préface
Dominique Thiébaut
Des propriétés des choses peintes par Mantegna. Introduction
Michel Menu
The materials and technique of paintings by Andrea Mantegna in the National Gallery, London
Rachel Billinge, Marika Spring
The Madonna from the Accademia Carrara
Roberto Bellucci, Cecilia Frosinini
Matériaux et techniques de quatre toiles d’Andrea Mantegna
Elisabeth Ravaud, Myriam Eveno, Sigrid Mirabaud, Elsa Lambert
Technical examination and analysis of Andrea Mantegna’s Virtus Combusta
Satoko Tanimoto, Giovanni Verri, David Saunders, Hugo Chapman, Judith Rayner, Jenny Bescoby.
XRF analysis on paintings by Mantegna
Pietro Moioli, Claudio Seccaroni
Scientific examination of the Mantegna’s paintings in Sant’Andrea, Mantua: the Families of Christ and St John the Baptist and The Baptism of Christ
Rocco Mazzeo, Giorgia Sciutto, Silvia Prati, Maria Letizia Amadori.
The Pala di San Zeno conservation project: some provisional results
Marco Ciatti, Cecilia Frosinini
La prédelle du retable de San Zeno
Elisabeth Ravaud, Myriam Eveno
Madonna and Child: A painting in the manner of Mantegna attributed to the young Correggio
Barbara Berrie, Michael Swicklik
The place of the Copenhagen Man of Sorrrows in Mantegna’s technical oeuvre
Ashok Roy
Mantegna's Man of Sorrows: Examination and Restoration
Troels Filtenborg
Mantegna’s Saint Sebastian from Vienna - Condition, technique and recent restoration
Elke Oberthaler
The restoration and painting technique of the Holy Family by Mantegna in the Dresden Gallery
Christoph Schölzel
Une toile peinte du quattrocento ferrarais.
Pierre Curie, Claudia Sindaco-Domas
